Saturday, December 12, 2009

Two poems in one day

My poem the close of the door is up at Everyday Poets and the summer is any is at Abjective. Two very different pieces: the first is impressionistic, presenting only sounds; and the second uses words in a more abstract way.

Monday, November 23, 2009

A slightly humorous piece is up at Dispatch Litareview. Go read Unclosed Aparments.

Saturday, September 26, 2009

no recess

no recess is now up at Barnwood

http://web.mac.com/tomkoontz/Site_26/09_scroll_4.html

Thursday, September 10, 2009

narrow man

I have a new poem titled "narrow man" in Halfway Down the Stairs.

http://www.halfwaydownthestairs.net/index.php?action=view&id=155

Tuesday, August 18, 2009

The Dusk of Tomorrow

My story "The Dusk of Tomorrow" is now available to be viewed online at:

http://issuu.com/shootsandvines/docs/issue3issuu
(on pages 12-14)

It is also available in a print edition which can be purchased by sending $2 to:

Shoots and Vines
PO Box 489
Poseyville, IN 47633

Sunday, August 9, 2009

a daybeforeyesterday crowd

Currently I have one poem called "a daybeforeyesterday crowd" published in mud-luscious, which is an online journal, so the entire poem can be viewed at:

http://www.aboutjatyler.com/index_files/Page653.html (it is about halfway down the page).

I also have a forthcoming poem (in December) and two forthcoming stories (both in October).
The poem is titled "the summer is any" and will be published in Abjective.
The story "The Dusk of Tomorrow" will come out in the print edition of Shoots and Vines.
And the story "A Confidential Light" will be included in Full of Crow.

Saturday, August 1, 2009

Faulkner, Kafka, and Joyce

My favorite writers are William Faulkner, Franz Kafka, and James Joyce and I rank them in that order but do not necessarily think that all of Faulkner’s works are better than Kafka’s or all of Kafka’s better than Joyce’s. (In fact, Joyce would have ranked much higher if he didn’t have instances of silliness like the opening of Portrait and various passages in Finnegan’s Wake.)
Faulkner and Joyce are the very factory the modernist movement stemmed from. Many readers of them complain that they are sometimes difficult to understand (and I somewhat agree, although I find that most of the difficult passages can be understood with a little work on the part of the reader), while admirers of the two claim things like “people just don’t understand their genius” and other such weedy statements; but these “defects” are not due to confusion on Faulkner’s or Joyce’s part, but due to the nature of designing novel effects: new innovations are bound to have mistakes. This can be seen even in the way that Faulkner improved on the stream-of-consciousness style that Joyce introduced to the craft of writing.
Joyce was not as novel in his themes as Faulkner and Kafka, but Kafka most of all spoke the trepidations and anxieties that festered in the twentieth century mentality. Even the stories that seem just outside the grasp of understanding resonate with some hidden meaning and call for another reading.And to me the ability (and desire) to reread a book is the most important criterion affecting fondness for a particular author.